How to loot your culture

Culture is a many faceted aspect of one's society. Especially nowadays Europe seems to struggle once every few months with a question about its identity. In such a situation, one would expect that governments would somewhat treasure their cultural heritage.In other words, rediscovering its value. This logic, however, is somewhat far fetched from normal day's reality. To which absurdities and contradictory policies a government could go, can be demonstrated in the case of Slovakia. 

While there is absolutely no visionary policy on art, furthermore any kind of quality artistic contribution to society is either underpaid or in most cases completely ignored. The reason should not be looked for in our present day crisis, for it has existed long before. On the one hand, bureaucratic systems keep cultural activities on the lowest possible level - either by funding poor quality (as long as your friend's friend is in charge, their financial support is secured) - but funding as a general remains sometimes uncertain even till after a performance. Risks that can hardly be carried on the shoulders of those who make a humble living from it.

As the Expo Shanghai is approaching, a bizarre anecdote came to my attention. When communicating about possibilities to be present in Shanghai for the Slovak Republic, the bottom line of the whole matter was that; "Yes you can be part of our country's representation. No, of course we will not pay you; it is obviously for the honour that you will do it to represent your country".

How arrogant can a country treat its culture is clearly demonstrated. We reached a level, where it is already expected that musicians will work for free. But even an international representation - a kind of calling-card for your own country - is worth nothing. Obviously, the managers wouldn't want to forego their juicy fees. Slovakia's culture is basically on death-row.

MS

An Odd Surprise to save the Opera?

The final verdict for the appointment to become the General Manager of the Bratislava State National Theatre (SND) has fallen. A postition which has by now gathered enough controversies, that would need supernatural attributes of the candidate, as well as a firm grip of a generalissimo, but foremost being a skilled manager - a treat which demonstratively is a rare given around the SND. One could say, some level of masochism would be required. 

In the end, what was most surprising, a candidate, who didn't want to become the GM at all - only to have his say and then keep his peace - in the end got the job: Ondrej Šoth. In these circles, life in Slovakia is far from dull and surprises are around the corner everywhere. Were it only that they would be more helpful instead of damaging. 

Interesting was one of the headlines in the economical daily Hospodárske noviny which screamed that 'scandalous foreigners want to manage the SND". When only seeing the past 3 years at the SND, I would find the label 'scandalous' rather befitting to those Slovaks, who were in charge, and ruined the whole place. Moreover, one of the Slovak candidates (and thus not or less scandalous to the newspaper author I assume), was one of the very same initiators of the decomposition of the Slovak Radio Symphony Orchestra. Need I go on?

In the end, while others are described having had a good preparation, the winner went only to give an emotional plea. Seems that romantic ideas and emotions count more than realistic visions to face managerial responsibilities.

I hardly do not dare to pronounce my feelings, where I already see this scenario to repeat itself within a relatively short time. I don't want to draw a sign on the wall. But I am afraid, that somehow something is continuously nagging in my mind, that this circus has definitively not ended yet.

MS